Ion Grigorescu. ”American art has left so many tracks, acknowledged or not.”
Ion Grigorescu, b. 1945, artist American art picked a moment for itself when the soul of the Romanian artist was open towards the scene of the Greats, was bolstered by the Party's granting freedom of form, and had the "freedom" afforded by the lack of "stars" in socialist Romania. I don't remember and can't see why I'd prefer precise data to fictional data; for example, in 1968, an exhibition of British painting left a strong impression on me so I got a 5 mark in school, I was in fifth grade, on the verge of failing, and loved pre-raphaelism. Only for a year. 1969 saw American art and the American president come to Romania. I can't remember the artists either, but I can still picture some of them: Warhol and his pop cans (and Jasper Jones's Ballantines ), Lichtenstein's raster, Rauschenberg and his photographs on canvas. My "monumental art" classmates found a technique that proliferated throughout the school: we put gas all ...